Interestingly, as each characterinflicts harm on the other, each becomes more hurt and isolated. I expect that you will give me a hard copy and so will wait until then to comment further. The theme of revenge is an interesting concept in Hamlet and Frankenstein. Concerning the structure of Frankenstein, Mary Shelley structured her story in a series of layers, using a frame structure. He was always very clear to underscore the fact that Jewish people and Arab people were brother and sister. He ridicules Claudius, even, in the presence of others.
Interestingly enough, revenge works out very differently in each story. The wind picks up and prevents him from returning to the island. I had been accustomed, during the night, to steal a part of their store for my own consumption; but when I found that in doing this I inflicted pain on the cottagers, I abstained, and satisfied myself with berries, nuts, and roots, which I gathered from a neighbouring wood. And truly in my youth I suffered much extremity for love, very near this. Seeking revenge leads to Hamlet becoming an utterly mad person with antic behavior. At the end of a blissful childhood spent in the company of Elizabeth Lavenza his cousin in the 1818 edition, his adopted sister in the 1831 edition and friend Henry Clerval, Victor enters the university of Ingolstadt to study natural philosophy and chemistry.
Victor first describes his early life in Geneva. . Critics generally agree that Gothic literature began with Horace Walpole's The Castle of Otranto in 1764. Having redeveloped his deformities, he begs Frankenstein for help, using his real name, before collapsing and dying. The theme of revenge is an interesting concept in Hamlet and Frankenstein.
In particular, Hamlet wants to kill Claudius and Laertes wants to kill Hamlet. Of course, Hamlet has to keep up the facade with everybody he comes across. Once their fathers are murdered, Hamlet and Laertes become mentally insane committed acts of reprisal. My father was very disappointed by war and fighting. The actions of Frankenstein and the beast show that revenge is driven by strong emotions- love, anger, loneliness. He successfully murders the people close to Victor and goes into hiding, eventually wearing down Victor to his own death as well. Thesis In Frankenstein, Mary Shelley tactfully illustrates how revenge relentlessly consumes and destroys those who succumb to it.
The reason is that the latter is really on the surface, while the former goes deeper in supporting the arguments that you, the writer, are making in the post. The monster in Frankenstein does not turn to revenge immediately, unlike Hamlet. This could be because: He felt that Frankenstein would suffer more by experiencing the loss of loved ones He still harboured hope that his creator would accept him and offer him companionship. At first glance, it holds all of the common occurrences in a revenge tragedy which include plotting, ghosts, and madness, but its complexity as a story far transcends its functionality as a revenge tragedy. Victor and Elizabeth are trying to start their life together, but The Monster is always there to ruin it for them. The message here is simple — even if your revenge is for the most noble of reasons and even if it is carefully planned out, it is not the best course of action and will likely backfire.
He feels lonely and remote, unable to find a space in this world for him. Seeking revenge leads to Hamlet becoming an utterly mad person with antic behavior. He does not know where else to turn so he only knows to look to revenge, because it is our sinful nature. Even though Hamlet did not kill his target, it was apparent at that point that he had made excellent strides towards learning how to kill and unlearning how to be an upstanding citizen. The monster in Frankenstein does not turn to revenge immediately, unlike Hamlet. Victor spurns his creature because he is hideous and unnatural. In the famous Greek legend of Prometheus, the god wants to help the mortals by stealing fire from Zeus, succeeds, and Zeus, to avenge his pride, creates Pandora, a human woman to bring causes of ruin.
Firstly, it will examine the structure of the novel before turning to the three main characters. The monster hastily learns how to kill and continuously proves it to Victor by killing William, Justine Moritz, Henry Clerval, and Elizabeth, but never actually killing Victor himself. Neither you, nor the coeditors you shared it with will be able to recover it again. At this point he realizes that in the end his misery still existed and revenge truly never paid off. One who truly understands pain would need to decide to not take revenge on whoever hurt them, and thus stop carrying on the hatred into future generations.
Moreover, this essay is rich in its stylistic features that are the typical of Bacon and it is presented with an attitude of formal dignity. It is almost homologous to the effects of bullying. Walton tells the remainder of the story in another series of letters to his sister. Hans Kleve, a junior member of the medical council, recognises him and blackmails him into allowing him to become his apprentice. While he awaits the monster, he hears Elizabeth scream and realizes that the monster had been hinting at killing his new bride, not himself.